In this video from the Ableton Live 9 Jumpstart course, Certified Trainer goes through the manage files to save hard drive space and collaboration easier. A must-see for anyone getting […]
In this full length preview video from the Ableton Live 9 Jumpstart Course, Ableton Certified Trainer Jake Perrine shows you the ins and outs of recording audio in Live […]
A while back I started a little series of daily Facebook posts with some percussion sound design tips. I had tons of requests to consolidate them into one place, so […]
Protip 1 Okay, until I can do a full tutorial on advanced percussion snare design, I’m going to post a few tips here. Percussion pro tip #1: Choose the best […]
In this tutorial video, Myagi, our resident sound design expert, reveals how he uses multiple instances of synth leads in an Instrument Rack to really help fill out huge sounds. […]
In this tutorial video, Myagi, our resident sound design expert, shows us how to create a huge lead patch in Native Instruments Massive. He uses multiple oscillators, envelopes and the […]
In this tutorial video, Myagi, our resident sound design expert demonstrates how you can make a filter act like an oscillator by making it self-oscillate. Then he demonstrates how this […]
In this tutorial video, Myagi, our resident sound design expert, walks us through how you can use series and parallel routings to wildly alter your sounds. He demonstrates this technique […]
I’ve been publishing random daily tips on my Facebook page lately, then aggregating them into a blog post at the end of the week. There’s no rhyme or reason to […]
Ableton compressor tip: Try out Opto mode. It simulates the reaction of an optical compressor circuit. It’ll be a bit more sluggish, and can be nice on basses or vocals. […]
In this tutorial video, guest instructor Myagi shows us how to create a rising transition effect using Ableton’s Analog subtractive synth and a chain of..
In this sound design tutorial video we learn how to create a pad sound using Ableton Live’s Analog subtractive synthesizer. The basic patch is then processed with effects and given […]
In this video we cover how to mix our main neuro bass using Universal Audio plugins from the UAD card. We use the Fatso Sr., Little Labs VOG (voice of God), LA2A optical compressor, Precision Maximizer, and EMT250 reverb.
In this video we cover how to mix a snare drum with Universal Audio plugins. We use the Fatso Sr, Pultec Pro EQ, Neve 1073 EQ, 1176 compressor, and Precision Limiter.
In this video we cover how to mix an acoustic bass using Universal Audio plugins from the UAD card. We use the Fatso Sr., Pultec Pro EQ, and DBX 160 compressor.
In the final tutorial video of this series, we cover how to bring the bass to live using modulation. Many of the effects parameters we set up in previous videos […]
In this tutorial video we get deeper into the use of effects. Things kick off by using the resonators device to add pitched delays that accentuate the sound of the […]
This video is all about sub bass. Our main bass patch from the last video is going to be heavily processed with effects, so we want to create a separate […]
In this tutorial video we start processing the main bass we created in Massive. To do this we use a series of effects in Ableton Live. The instrument rack allows […]
In this video tutorial we use Native Instruments Massive to make the first part of our neurofunk / neuro-hop reece bass. We use 3 oscillators: the melofant, dirty throat, and […]
In this video, Jake Perrine walks us through how to set up parallel, or New York, style compression using an Audio Effect Rack, rather than the usual Send/Return configuration. Then […]
In this video, Jake Perrine walks us through each module of Izotope Ozone 5, the infamous mastering plugin. This is a great way to familiarize yourself with the core steps […]
Download my free Ableton e-book & sample pack. In this video I show you inside one of my work in progress tunes and discuss how to get realistic hi hats […]
Some things all artists struggle with, at one time or another, are focus, productivity and completion of projects they are satisfied with. In this blog post, I would like to […]
In this tutorial video I do a full review and tutorial on the main features of the new Sugar-Bytes monophonic bass synth, Cyclop. Cyclop is a modulation monster, with the […]
In this bass tutorial video from our audio weapons online course, I show you how to create a sub bass patch in Operator, Ableton’s FM synth.
In this tutorial video from our audio weapons online course, we’ll create a multi-band effects rack for bass by using an Audio Effect Rack.
In this bass tutorial video from our Audio Weapons Online Course, I show you how to create a bassline in Native Instruments Razor synth.
In this tutorial video, I show you how to use Ableton’s Autopan device to create gate style stutter effects, synced to the project tempo, on a bass patch. Then I […]
In this video, Jake Perrine, veteran mix engineer, teaches us how to analyze our mixing room using a microphone to detect resonant peaks and dips. He uses 3 techniques using […]
In this mixing/mixdown tutorial in Ableton Live, Jake Perrine, Certified Ableton Trainer shows us how to use sidechain compression on a delay on a return track. This technique is useful […]
Over the last month I’ve been setting up a new studio. After I upgraded all my acoustic treatment to some top notch Primacoustic kits, I turned my attention to upgrading […]
Important Notice(s) 1) Listen on proper monitors or headphones. 2) You will likely piss off your neighbors while watching this tutorial. Vespers, and his affiliates, agents, successors and assigns assume […]
So, an update from Vespers labs. I’m in the process of moving from Salt Spring Island, where I’ve been hibernating in my ghetto cottage studio for 5 months, to Victoria […]
I’ve always been looking for ways to improve my mixes and recently my attention has turned to acoustic treatment of my studio. For years I was buying all kinds of […]
Vespers, Ableton Live Certified Trainer, discusses the best things to upgrade on your audio production computer. We discuss hardware such as RAM, solid state hard drives, SATA drives, data doublers, DSP cards like the UAD-2, and sound cards like the Apogee Duet.
Jake Perrine, Ableton Live Certified Trainer, and author of Sound Design, Mixing and Mastering in Ableton Live, speaks about Mastering your music. He’s been teaching musicians like you for over 10 years and is an incredibly talented individual.
In this video tutorial, Jake covers: compression settings, using EQ Eight to add top end “air” to the vocal while removing unwanted frequencies, gating, and the use of reverb and filtered delays on return channels. Loads of great tips here, enjoy!
Here’s a tutorial video on how to set up and use Native Instruments Massive synth with Ableton Live. When I was exploring sound design and synthesis possibilities with Native Instruments […]
Stop comparing yourself and your productions to releases by well established successful artists. Always do your best. Accept where you’re at. Focus your mind on what you’re grateful for (in general and about your music). Take stock of what you did well in the tune and where you learned or gained ground as a producer. Stop comparing so much. Acknowledge that you are expressing your own unique sound. Enjoy the journey :)